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Friday, March 17, 2017

Colette Saucier: The Monster Mash?

The Monster Mash?
Darcyholic Diversions is very happy to be welcoming Colette Saucier back to Darcyholic Diversions.  Be sure to leave a comment!  Colette is going to be giving a $10 gift card to a lucky commenter!
I find it unfathomable—and frankly disconcerting—to realize that it has been seven years since my daughter convinced me to write a vampire adaptation of Pride and Prejudice. Why, one may wonder, did we think the world needed a new paranormal variation on Jane Austen’s beloved classic? Perhaps the world at large did not, but we did! I suppose I have what I so lovingly refer to as “that zombie atrocity” to claim as pseudo-inspiration because it forced me to consider the possibility of writing something good, something we, at least, would want to read.
At the time I wrote Pulse and Prejudice, volume one of “The Confession of Mr. Darcy, Vampire,” I had never even heard the term “Jane Austen Fan Fiction.” I threw myself full-throttle into historical research and combed the manuscript to eliminate any anachronisms. I even shifted the date of the narrative slightly to take advantage of all of the amazing events occurring around the time Miss Austen published her novel, not just in the course of human events but also the bizarre nature of the weather. That’s right: Pulse and Prejudice is historically accurate down to the weather!

My time shift to 1814 turned out to be fortuitous in another respect as well: When my daughter said she didn’t like the ending and demanded I write a sequel! You see, I wrote Pulse and Prejudice as an adaptation—a stand-alone novel of Mr. Darcy’s story as if Miss Austen had always conceived his character as a vampire (dark, brooding, always misunderstanding “human” emotions) and kept it her own little secret. Although this would not be a concern for readers of this particular blog, readers need have no prior knowledge of Pride and Prejudice in order to enjoy my adaptation. In fact, I had to go back and weave more of Miss Austen’s narrative in the first volume because so many of my beta readers had…forgotten the original, but now it is from Mr. Darcy’s perspective, and he happens to be a vampire, as Jane Austen always intended. Hence, both novels share the same ending, of which my daughter disapproved.
Which brings me to the release of Dearest Bloodiest Elizabeth. After devoting so many months researching not just the historical events but also vampire lore as existed during the Regency, I thought bringing our dear couple to New Orleans would require less effort on my part as I live in South Louisiana and would not need to go traipsing around London. Wrong! I spent the better part of two years meticulously investigating records and narratives from the period immediately following the War of 1812—yes, including the weather! This, of course, followed my writing out a detailed outline and obtaining my daughter’s approval, naturally. Thus, the people, the events, the culture, the places, the “year without summer” all play a role in Dearest Bloodiest Elizabeth.
I have always loved irony, so that it would slap me in the face should not have surprised me. You see, dear readers, upon the publication of Pulse and Prejudice, any reference to it being a “mash-up” infuriated me. A mash-up of what and what exactly? Certainly my novel could not be compared to “that zombie atrocity,” which took the complete narrative of Miss Austen’s novel and just inserted ninjas and zombies here and there with no consideration for Austenian language! No; I had written an adaptation that preserves the integrity of the source material and maintains eighteenth century literary conventions! How dare anyone call it a “mash-up”!
So what have I done with the sequel? I wrote a mash-up.
Well, it’s not so much a mashing together of tales as being heavily inspired by them. Untethered by Jane Austen’s original, I set out to write something completely original for the sequel, which I believe I have accomplished. Nevertheless, I cannot exorcize previous reading material from my brain, and that influences my writing. Therefore, I confess that Dearest Bloodiest Elizabeth “mashes up” elements from Anne Rice, Bram Stoker, Gone With the Wind, and Shakespearean tragedy. 
(I should warn more sensitive readers that, as this is not an adaptation, they will find volume two much darker, bloodier, and sexier than Pulse and Prejudice. For those who have not read volume one of “The Confession of Mr. Darcy, Vampire,” I did include a section outside of Miss Austen’s story—“Beyond Pride and Prejudice”—with more sensual scenes; but for readers who prefer Mr. Darcy and Elizabeth to remain chaste, simply skip this section and proceed directly to the epilogue.)
Dearest Bloodiest Elizabeth begins a few weeks after the end of Pride and Prejudice, with the newly wed vampire Darcy and his bride Elizabeth at Pemberley. I shall not spoil the plot of Pulse and Prejudice for those who have yet to read it, but events occur which require our dear couple to follow Wickham to Louisiana immediately after the Battle of New Orleans. All of the events, places, and even most people you will read about are real. Darcy finally catches up to him at a ball thrown at the home of the mayor Nicholas Girod. One can visit the place even today, now called the Napoleon House owing to a legend that Monsieur Girod intended to house Napoleon Bonaparte there once they had freed him from exile. While Darcy searches the crush for Wickham, now living in New Orleans under an assumed name, Elizabeth sits with Colonel Fitzwilliam, who had recently been injured at the Battle of Waterloo. This excerpt should give you a taste to whet your appetite!
Pray, leave a comment with your thoughts, as I will be giving a $10 Amazon gift card to one lucky reader. Drawing will be next Friday after 8pm EST so get your comments in before then!

And Now An Exerpt from Colette’s newest book...

Darcy felt a presence, which caused the bovine blood rippling through his veins to heat. He reluctantly pressed his wife’s hand onto his cousin. “Wickham is here. Fitzwilliam.” His chest tightened at the sentiment, but he knew it must be said. “Pray do not leave Elizabeth’s side. I do not trust Wickham in the same room with her.” With a nod, Fitzwilliam accepted Elizabeth’s hand into the crook of his arm, his cane in his other hand, and led her away as Darcy turned in search of his prey.
Darcy tensed both from watching the ease with which his wife walked away with Fitzwilliam as well as the compelling pressure at the base of his skull from the knowledge that another such as he moved amongst them.
Yet every time he approached the direction from which he felt the presence lay, he was misdirected. Again and again, awareness of Wickham pulled at him until he knew he had walked a full circle through the area of revelers without having lain eyes upon his nemesis. Then, without any augur to presage his appearance, Wickham stood behind him.
“Darcy.” Darcy turned and glowered at the beast he had sought all these weeks. “I understand you have been asking for me.”
Nausea rose within Darcy as the manifestation of Wickham stretched across every sinew of his being. “Yet, you have found me.”
Wickham moved into his field of vision and shrugged. “I could not permit Englishmen to traipse across all the plantations and the city decrying that I had deserted the British Army, now could I?”
Darcy flashed his eyes in Wickham’s direction but revulsion forced his gaze away. “Do you know why I am come to find you?”
“From what I collect, you are on a mission to bring about my demise—whatever that means for beings such as we.”
“I shall be satisfied if I could only return you to England so that someone else might deal with you.”
Wickham scoffed. “Now, Darcy, when it comes down to it, you would have someone else perform your less reputable designs?”
Darcy met Wickham’s stare directly. “Do you think I am here of my own design? Should I not be more satisfied to remain undisturbed in my own homes in England? I was sent here to, much to my dismay, to destroy you, by a certain—”
Wickham interrupted him with a sneering laugh. “A certain short somebody, perhaps? Aye, I know the very one. He has been on me since the day I removed myself from Pemberley after Rivens turned me.”
“I am certain you know I am loathe to return you to England, after all you have done to those whom I love the most. Yet he is now in a position to extort me on behalf of my cousin, to prevent her destruction or at the very least her exposure.”
“Your cousin, you say? Her destruction? Pray, do not tell me that Anne de Bourgh has been turned!”
“Upon her death bed, I offered her an option that she might have the life she never enjoyed as a mortal.”
“Darcy, by my word! You of all have committed the sin of turning a human!”
“Nay. She chose this with full recognition of all the…consequences, as I said, upon her death bed. Yet again, Rivens performed the service.”
Wickham rose his brows in disbelief. “Who would have thought it of Miss de Bourgh! And what of her mother?”
With an abrupt and dark change in his demeanour, Darcy faced Wickham straight on. “I am not come to discuss Lady Catherine with you. True, I have been sent on a mission to destroy you.”
With a grumbling laugh, Wickham said, “Did you plan to cut off my head or set me afire?”
“I had not thought of what would occur should I even find you, and as I said, now you have found me. I only responded to the dwarf’s extortion to protect Anne, as well as my own family.”
“And do you intend to perpetrate this destruction upon my physical form on your own?”
“Rivens, of course, has accompanied me.”
“Of course.”
“And my cousin Fitzwilliam is recently come with his betrothed in order to assist me.”
“Ah, yes, Fitzwilliam. I do own he had cause to cut off my head more times than even I am worthy.”
“Wickham—or McGeogh if you prefer—”
“Pray call me Warik. That is how my friends call me.”
Darcy’s brow rose with his questioning eyes. “And I am your friend? That I cannot credit. You and I have not been friends for some time—notwithstanding your choice to take control of my father in his final years.”
“As you recall, neither of us were given many options. That should belong in the past, Darcy. We were friends for far longer than enemies. Pray tell me, why are you and Fitzwilliam truly here?”
“As I said, that dwarf whom you yourself encountered has forced my hand and brought me across the ocean. He blames me for releasing the first of our kind on to the New World.”
Warik—Wickham—broke forth in laughter. “That is a joke, to be sure. Those of our kind have resided here for decades, or at least since the Terror. That was the draw to Louisiana, when so many of our kind were brought before the guillotine.”
Darcy attempted to suppress his surprise, but his frown and wrinkled eyebrows would reveal his disturbance at this intelligence. “Are you to say there are others such as we already here in New Orleans?”
“Aye, and in the area surrounding. Several of those who fled France at that time settled here in the area and have their own plantations in order to maintain their wealth. If that little dwarf said anything other, either he has sent you on a fool’s errand or he is a fool himself.”
Darcy, struck dumb by what sounded to be a reasonable explanation from Wickham, allowed his gaze to float over towards the ball in progress then rest upon where Fitzwilliam and Elizabeth sat together in gleeful conversation. Now he knew not what to think. Why had he ever trusted the dwarf, the self-espoused destructor of his kind? Yet, Wickham had been his nemesis for far too long to credit his words.
Perhaps sensing the conflict within Darcy, Wickham offered, “We should talk, Darcy. There is much to say. I know Rivens made us, but he did not tell us all. I have much to share with you, and perhaps I may do the honour of introducing you to an enclaver, a colony of our sort—those who have lived for decades, nay, centuries—longer than we and know our true power. Do not you see? The enclaver holds the key.”
“Where shall I meet you? Sometime tomorrow?”
“Not tomorrow. My presence is required up the river to tell the others that you and I have met and the outcome of this discussion. I am at TrĂ©moulet House—you know it?” Darcy nodded. “Come there in a few days’ time. If I am not within, leave message where I might find you so that I can bring you out of the ignorance of which we have been subjected since our transformation.”
Wickham glanced towards the table where Elizabeth and Fitzwilliam were together in comfortable conversation. “So I see, Fitzwilliam has chosen well for his future happiness.”
Not gathering the inference, Darcy thought only of Fitzwilliam and the Comtesse. “I do believe they will get on well together.”
“Aye. When Elizabeth returned from Rosings, she had naught but praise for the Colonel—her head was full of him. I am only surprised that he would deem to offer for her.”
Darcy’s head jerked back in the direction of his wife sitting with his cousin. “What? No! Wickham or Warik or whatever it is you call yourself, you speak now of my wife. Elizabeth and Fitzwilliam are friends and nothing more.”
Wickham arched a brow as his mouth formed a pout. “I beg your pardon, Darcy, I intended no malice. I must confess to being surprised that…Elizabeth and you—pray, is it true? You and she are husband and wife?”
“I am in earnest, and I would beg you not to presume otherwise. Fitzwilliam is betrothed to Lady Calmet.”
“Upon my honour, I do beg your pardon.”
“You will, however, have much to answer for to Elizabeth with your desertion of her sister.”
With his eyes still on the laughing countenance of Elizabeth, Wickham nodded. “That I do, to be sure. I pray that we shall meet and I may reveal all. I know I am painted a villain, not only for this but for my past sins. I beg that you would grant me an ear to hear my explanation—to hear the truth of why I did not return, had that even been an option following my so-called execution.”
At that time, the orchestra began the strands of a waltz, and Fitzwilliam rose and offered his hand to Elizabeth. With shimmering eyes and a broad smile, she accepted his hand as he led her to the dance floor. Darcy and Wickham watched as Fitzwilliam drew her closer to him, his hand on her waist with hers on his shoulder, to progress with the tempo.
“And Elizabeth is your wife?” Wickham said with a tsk and an abbreviated shake of his head “Who would have thought it possible?” And with that, he was gone.
At the conclusion of the dance, Darcy strode to his wife and grasped her hand before she returned to her seat. “And why, dear wife, were you dancing in my cousin’s arms?”
She smiled, but her eyes crinkled as her brows drew together. “With his injury? Fitzwilliam cannot perform a contredanse. He needed to lean upon me.”
“And why does not his betrothed perform this service?”
She wrenched her hand from his grip and gaped at him. “The Comtesse danced with General Humbert! If Fitzwilliam can tolerate her waltzing with another man, on my word, you cannot possibly take issue with his dancing with me.”
His jaw tightened as he glared towards where Fitzwilliam had resumed his seat.
With a raised eyebrow she added, “What is it, Mr. Darcy? Are there no young ladies tolerable enough to tempt you to stand up with them?”
He turned back to her with a grimace, thought to speak but then thought better of it.
“Good heavens! You know it is unseemly for an husband and a wife to dance together, but if it would mollify you and you will cease in this pouting, I shall save the next waltz for you; and you may hold me as improperly and possessively as you choose.”
With this, he would have to be satisfied.
All About Colette Saucier
Colette Saucier is a bestselling and award-winning author under multiple pseudonyms. She began writing poems, short stories, and novellas in grade school. Her interest in literature led her to marry her college English professor, but eventually a love of history encouraged her to trade up to a British historian. Technical writing dominated her career for twenty years, but finding little room for creativity in that genre, she is now a full-time author of fiction.
Colette’s first novel, Pulse and Prejudice, was named “A Most Inventive Adaptation” by Elle Magazine (April, 2016). It was the 1st Place Winner in its category in the 2013 Chatelaine Awards Romantic Fiction Contest and is listed in Chanticleer’s 2013 Best Book Listing. Colette dedicated 15 months traveling to Europe and Britain, researching Regency England and vampire lore and literature.
Due to her obsession with historical accuracy, she devoted more than two years researching Creole Society and New Orleans in the years following the War of 1812 for the sequel to Pulse and Prejudice, entitled Dearest Bloodiest Elizabeth.

Website, which desperately needs to be updated: http://www.colettesaucier.com 

Terribly neglected blog: http://colettesaucier.blogspot.com

Twitter:  Trust me – don’t follow me on Twitter

Monday, March 6, 2017

A Grudge-Carrying Mr. Collins Re-Interview with Shannon Winslow

A Grudge-Carrying Mr. Collins Re-Interviews Author Shannon Winslow -or- How to Mend Fences with a Bit of Prudent Diplomacy

Darcyholic Diversions is very happy to have Shannon Winslow visiting with us!  A lucky commenter will win a double ebook give away of her two latest books, Sunday, March 12th!  Extra entries for following this blog, friending me or Shannon on Facebook or twitter, posting on your blog/Facebook/etc.  Just post what you do as a comment to your own post!.  And be sure I have your email or include it in your comment! Let’s hear from Mr. Collins as he interviews her about her two recent book releases.

Author Shannon Winslow has two new novels out (one that’s pure JAFF and one that’s something a little different), so she’s off on blog tour to spread the word. But she recently made time in her busy schedule to revisit an old friend of ours. Did you know that Mr. Collins had given up the clergy and now has a very successful career as a TV talk-show host? It’s true, and this isn’t his first appearance here on Darcyholic Diversions. Be sure to read this previous post to get caught up to speed with the Mr. Collins’s infamous first interview with Shannon Winslow, where he got quite a shock. Then, enjoy the following:

(Literary figure and legendary TV talk show host William Collins steps onto the spotlighted circular platform of the set, positioning himself between the two mid-century modern swivel chairs. His suit is well-tailored. His surgically enhanced hairline looks flawlessly natural. Yet something is a little off. The stage director cannot help being uneasy about the unusually grim set to Collins’s mouth, and yet he has no choice but to give the cue to begin, signaling that they’re going live in five, four, three, two, one… )

WC:  Today for our Meet the Author segment, we have a very… a very special guest. Acclaimed for her so-called stellar contribution to the world of Jane Austen Fan Fiction, she has now authored a total of seven published novels. Please welcome Ms. Shannon Winslow.

(Applause. Ms Winslow enters from stage right, giving a friendly wave to the audience before turning her attention to the host.)

WC: Ms. Winslow, how… nice to see you again. Please be seated.

(They both sit down)

SW: So you do remember me. It’s been so long since I appeared here the first time that I wasn’t sure you would. Nearly five years, I believe.

WC:  Yes… well… I think I can truthfully say that meeting you was such a singular experience that it has been impossible for me to forget it… try though I might.

SW:  Really? Should I take that as a compliment?

WC:  I wouldn’t. No doubt the four horsemen of the apocalypse will be equally unforgettable, but I daresay no one would voluntarily face them a second time. And yet, here you are again. New books to promote, I understand?

SW:  That’s right, and I’m very excited about them. Two at once this time – the first two in a new series. The Crossroads Collection I’m calling it, all based on the idea of turning points, alternate possibilities, and second chances. The titles are Leap of Faith and Leap of Hope.

WC:  How interesting (feigns a yawn). Tell me. Do I die in either one or both of these new novels? You will grant that it is a reasonable question, considering that other one you wrote, a book which I shall not dignify by naming it aloud.

SW:  You mean The Darcys of Pemberley, I suppose. But not to worry. Once was enough for you, sir. You have heard the expression that a coward dies a thousand deaths but a brave man only one.

WC:  Do you mean to imply that you find me courageous, Ms. Winslow?

SW:  Oh, yes. Mr. Collins, I am truly sorry that we got off on the wrong foot last time, and I was actually hoping that the fact you invited me back meant you were a proponent of giving people second chances, like in my books. Are you?

WC:  I? Not really. It was my producer’s decision to bring you on the show again.

SW:  I see. But you do believe in the possibility of reinventing oneself. How could you not? Look how brilliantly you have managed to convert the fame from your literary career into something entirely new – one of the longest-running talk shows on the air. That’s quite an achievement.

WC:  You flatter me, Ms. Winslow.

SW:  Indeed, I do not, sir. I admire your ingenuity and success, your boldness. A coward would have played it safe. It takes courage to make that kind of leap into the unknown – a leap of faith, if you will permit me another allusion to my books.

WC:  Well, I suppose there is something in what you say.

SW:  Of course! And again I am reminded of the lead characters in these new stories of mine. They’re selected for world-class second chances through the work done at the Crossroads Center, and they are both daring enough to take them. In Leap of Faith, Ben Lewis risks all for the opportunity to slip back in time and resurrect his baseball career. In Leap of Hope, Hope O’Neil decides to take a chance on a different life altogether, leaving everything she’s ever known to start over in Regency England as a member of a family that reminds her of the Bennets of Pride and Prejudice. Rather similar to how you fearlessly reinvented your own persona, don’t you think?

WC:  Perhaps. So, what you’re saying is that you modeled your protagonists on me?

SW:  Well… no… not exactly that…

WC:  My mistake, apparently. And just when I thought we might be coming to some kind of understanding, you and I.

SW:  You were not mistaken, Mr. Collins. I only meant that “modeled” isn’t the word I would have chosen to describe your contribution to the process. “Inspired,” captures the idea so much better. Authors find inspiration all around them, you know, sometimes in the most unlikely places. I can honestly say, Mr. Collins, that you (you and your colleagues from Pride and Prejudice) have inspired some of the best material I’ve ever written.

(The stage director relaxes, sensing that the crisis has passed. Mr. Collins is smiling again, smiling and becoming very chatty. The remainder of the segment comes off without incident, and it ends by Mr. Collins extending a hand in friendship to Ms. Winslow and an open invitation for her to return to the show anytime.)

Leap of Faith: At the Crossroads Center, they’re in the business of granting second chances. And their newest client is Ben Lewis, a former star athlete who never recovered from the death of his dream to make it big in the big leagues. Now he’s being offered the opportunity to return to 1991 and try again, this time without the illness that originally ended his baseball hopes. What’s the catch? He will pay for his second chance by forfeiting his memories of the first… and possibly along with them, the love of his life. Can he find his way home to the woman he’s long forgotten but never stopped missing? Or will reaching for the brass ring with both hands cause the treasure he once possessed to slip forever from his grasp?

Purchase at Amazon Here

Leap of Hope: At the Crossroads Center, they’re in the business of granting second chances. And their newest client is Hope O’Neil – college student and Jane Austen devotee, who always believed she’d be more at home in Regency England, wearing corsets and courted by men in cravats. But can a modern girl really fit into a world with no electricity, cell phones, or indoor plumbing? Hope is about to find out when her wish for an Austen kind of life is unexpectedly granted. Although she envisions her second chance will be like something straight out of Pride and Prejudice – complete with her own Mr. Darcy and a romantic happy ending – she gets more than she bargained for in this delightful romp through Regency England… a lot more.

These two new novels are the start of in an innovative new collection by author Shannon Winslow, stories all about turning points, possibilities, and second chances.

Who hasn’t wondered at least once how life would have changed by making an alternate choice at some crucial moment in the past? Where would you be today if you’d turned right instead of left at an important crossroads or been able to sidestep a particular misfortune? Or perhaps you’ve daydreamed about a different life altogether, in a different place and time. Each book in the Crossroads Collection features a new hero/heroine who’s given the extraordinary gift of a second chance at life, the chance to answer for themselves the intriguing question “what if?”

Purchase at Amazon Here
If you hurry, you can still qualify to win one of five sets of books (Leap of Faith and Leap of Hope) that Shannon is giving away at Austen Variations: austenvariations.com/double-book-launch-and-giveaway/   If you are reading this after 3/7/17 the books have been given away, but check out Shannon’s post anyway!
Learn more about Shannon and her work at her website/blog: www.shannonwinslow.com.

Saturday, February 25, 2017

An Interview with Ginger Monette

An Interview with Ginger Monette 

I am happy today to be welcoming Ginger Monette today as she makes the rounds on her blog tour.  Ginger reached out to me to be a part of the tour, and I was happy to have her visit and tell us her ‘Austen story’.  The tour is for her second book in the Darcy’s Hope series.  For any of you, like me, who have not watched the entire Downton Abbey series, I still enjoyed reading Ginger’s latest book.   Her second book in the series is an easy, intriguing story for any of you wondering if you have to read the first novel first.  Ginger is giving away Downtown Abbey tea as a part of her blog tour.

BTCole:  How were you first introduced to Jane Austen's works? Was it love at first read, or did your love come later?

GM: Love at first sight! But my introduction to Austen is not your usual story.... I homeschooled my children and was working in an educational consignment store. Pride & Prejudice was a big seller, and my colleagues couldn't believe I had NEVER read (or seen!) it. My boss promptly lent me both the 1995 and 2005 DVDs, and a few days later I slid the 2005 version into my DVD player. Obsession soon followed... I bet I watched the sparring of Keira Knightley and Matthew Macfadyen ten times in ten days. When my daughter became interested, if she put the DVD in, all it took was for me to hear the music, and it beckoned me to the TV like a Siren.

Then, oh glory, I discovered Jane Austen fan fiction and period dramas, both of which opened new worlds to me.

BTCole: Did you enjoy the original P&P novel?

GM: I have to confess, I didn't read Austen's original work until just before writing my first JAFF novel. I'd been binge-reading fan fiction, so I was very familiar with the storyline and characters of P&P, but before I undertook writing a spin-off, I thought I'd better read the real one first!

I found it a hard read. I'm a practical, left to right, top to bottom person. I don't generally care for poetry as I have a hard time understanding it. My philosophy is if you have something to say, just say it! Don't dress it up or veil the meaning with vague symbols and words chosen simply because they sound pretty.” But I digress—back to Jane Austen. The formal language patterns and her long sentences made it tough for me to absorb. I was also really surprised how much she tells rather than shows. But I understand that was the accepted style in her day.

BTCole:  What drew you to Jane Austen's works?

GM: They are great romances! I also love her characters. Each one has a very distinct personality, which adds depth and interest to the plot. Many of her characters have personalities that just have to be tolerated.” Mr. Collins and Lady Catherine are the first to come to mind. And everyone in Elizabeth's family (except Jane) have annoying quirks. But it is this kaleidoscope that makes for a very colorful” story.

BTCole: What is your favorite Austen novel and why?  

GM: Pride and Prejudice is my favorite Austen book.  : ) I tend to gravitate towards brooding men. (My husband is one, and I LOVE John Thornton as portrayed by Richard Armitage.) And I also think the conflict between Darcy and Elizabeth is brilliant. In all of their encounters, she challenges him verbally but is never overtly rude. Accustomed to being fawned over, Darcy is attracted to this woman who, though beneath him, doesn't fall at his feet. In addition, she is smart, clever, and holds her own. It's not until his botched proposal that she lets loose her fury—and he is gobsmacked!

BTCole: Who is your favorite character?

GM: As a reader, my favorite character is Darcy. To see a man in a position of power who is also kind and romantic is, dare I say...sexy?

As a writer, Colonel Fitzwilliam is my favorite. He's very easy for me to write—I can easily hear” him in my head. I watched Master and Commander, the Far Side of the World and instantly decided that Captain Jack Aubrey as portrayed by Russell Crowe was my perfect Colonel Fitzwilliam. Darcy, however, is much harder for me to hear.” On numerous occasions while writing the Darcy's Hope saga, I went to Youtube and watched P&P clips. Darcy has very distinct speech patterns, is methodical in his approach to things, and uses very few exclamations. Colonel F, on the other hand, is gregarious, animated, and is quick to spout-off. They are wonderful contrasts.

BTCole:  What about it made you want to write an Austen-inspired book yourself?

GM: I became intrigued with an idea: What if Colonel F met Charlotte at a ball? The ideas kept coming, but I had never (ever!) written a fiction story. I'm not kidding! In all my schooling, I never had to write creatively. However, I had a good bit of experience writing inductively. When another JAFF author offered to help me, I thought I would give it a go—just for fun. But within fifteen minutes of tapping out the first scene on my laptop, I was hooked. I loved the challenge of taking information (the basic plot) and weaving it with descriptions, dialog, and precise words in an attempt to create a story that sucks readers in and flows effortlessly. 

After four and a half months of typing away in a small closet office, I emerged with a completed manuscript and an email inbox of 120+ email exchanges with my British mentor on topics ranging from the role of adverbs in fiction to the roles of horses in Regency England.

I then offered Tree of Life to an online JAFF community and got a good response. I realized it wasn't that much more work to publish it. Four months and six beta editors later, my first glossy-bound book arrived at my door. That moment stands out as one of the most exciting of my life.

BTCole: Tell us about writing your latest novel.

GM: I thought it would be a repeat of my euphoric experience writing Tree of Life, Charlotte and the Colonel, but it wasn't—at all. It certainly wasn't because I lacked enthusiasm. The Darcy's Hope saga was inspired by Downton Abbey, for heaven's sake! But it was HARD.

All I knew about WWI was trench foot” and trench warfare.” I thought reading a few diaries would suffice as research.... Boy was I wrong! Since Darcy was to be a captain in the army, I needed to be familiar with army structure and protocol. And since Elizabeth was on the medical side of things, I needed to know a lot about WWI medicine and the evacuation chain. And both of those were ENORMOUS and very detailed topics. If I wanted to get the details right (and I did) it was going to take some serious study. And study I did—for six hours a day for nine months. (Yes, I now feel like a semi-expert on WWI.)

But back to the experience of writing. Probably the biggest reason Beauty from Ashes was such a challenge was the plot. Though first and foremost a romance, it also includes character arcs for both D&E, a complex setting unfamiliar to most readers, and it all unfolds in the context of a mystery.

Donwell Abbey was no easier. I can't elaborate much without giving away major spoilers, but suffice it say that the injuries that befall Darcy set me up for trouble every time a scene was told from his point of view, and having Darcy fall for his nurse” without appearing to betray Elizabeth was a feat as well.

BTCole: How would you characterize your writing style?

GM: From a plotting standpoint, I work to keep romance central to the story with everything else serving that. I want readers to feel immersed in the war setting without feeling like it is a “war story.” I plot with high action, suspense, surprises, and lots of plants with payoffs.

From a writing standpoint, I really value optimal use of language. I slave over nearly every word—searching for the best word to describe the exact image I mean for the reader to see, and the precise action I mean to convey. I work to be concise.

As for characters, I try to create colorful new characters while keeping Austen's original ones true to their personalities, even though they are living in an era a hundred years after canon. And finally, I write from what is called deep point of view. By putting myself in the character's shoes, I describe what he sees as he sees it, and interpret it as he would interpret it. The goal is to immerse the reader so deeply in the story that she feels like she is there, personally experiencing the drama, as if the author is nonexistent.

BTCole: Are you happy with the response to your novels?

GM: Yes : ) Hearing that readers love it on so many levels is immensely gratifying. The frustration and angst of three years of hard work fades away.

BTCole:  Are you working on another book?  Want to give us any hints?

GM: I have notes for Great War Romances for most of the couples mentioned in the Darcy's Hope saga. Readers seem to be clamoring the loudest for Thornton's Hope, but I'll have to see. Before I can begin, I have to feel that I have a compelling plot as well as the enthusiasm and determination to bring it to life.
BTCole:  Anything else you would like tell readers?

GM: I would say that even if you don't normally care for stories set outside of the Regency Era, I would encourage you to give Darcy's Hope a chance. 

Enjoy : )  And thank you, Barbara, for hosting me today!

General Info & Links
Darcy’s Hope at Donwell Abbey
Author: Ginger Monette

Email: SperoBooks@gmail.com

Website: GingerMonette.com

Book length: 347 pages     DHaDA Publication Date: Jan 1, 2017

Romance sizzle rating: mild. Clean story with minor language, and some graphic recollections of war.

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